A woman learns the incredible story of a real-life American Kingdom—and her family’s ties to it—in this enthralling novel from the New York Times bestselling, NAACP Image Award-winning author of Take My Hand.

Named a Most Anticipated book of 2025 by People ∙ Harper's Bazaar ∙ PopSugar ∙ Reader's Digest ∙ SheReads ∙ Woman’s World ∙ BookBrowse ∙ and more!

Nikki hasn’t seen her grandmother in years. So when the elder calls out of the blue with an urgent request for Nikki to visit her in the hills of western North Carolina, Nikki hesitates only for a moment. After years of silence in her family, due to a mysterious estrangement between her mother and grandmother, she’s determined to learn the truth while she still can.

But instead of answers about the recent past, Mother Rita tells Nikki an incredible story of a kingdom on this very mountain, and of her great-great-great grandmother, Luella, who would become its queen. 

It sounds like the makings of a fairy tale—royalty among a community of freed people. But the more Nikki learns about the Kingdom of the Happy Land, and the lives of those who dwelled in the ruins she discovers in the woods, the more she realizes how much of her identity and her family’s secrets are wrapped up in these hills. Because this land is their legacy, and it will be up to her to protect it before it, like so much else, is stolen away.

Inspired by true events, Happy Land is a transporting multi-generational novel about the stories that shape us and the dazzling courage it takes to dream.

“Subtly told and finely made, The Correspondent is a portrait of a small life expanding. Virginia Evans shows how one woman changes at a point when change had seemed impossible. That change, like this novel, turns out to be a cause for celebration.”—Ann Patchett

LIBRARYREADS APRIL PICK • NAMED A GOOD HOUSEKEEPING (UK) MOST ANTICIPATED DEBUT

“Imagine, the letters one has sent out into the world, the letters received back in turn, are like the pieces of a magnificent puzzle, or, a better metaphor, if dated, the links of a long chain, and even if those links are never put back together, which they will certainly never be, even if they remain for the rest of time dispersed across the earth like the fragile blown seeds of a dying dandelion, isn’t there something wonderful in that, to think that a story of one’s life is preserved in some way, that this very letter may one day mean something, even if it is a very small thing, to someone?”

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

Sybil expects her world to go on as it always has—a mother, grandmother, wife, divorcee, distinguished lawyer, she has lived a very full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes that the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

Filled with knowledge that only comes from a life fully lived, The Correspondent is a gem of a novel about the power of finding solace in literature and connection with people we might never meet in person. It is about the hubris of youth and the wisdom of old age, and the mistakes and acts of kindness that occur during a lifetime. Sybil Van Antwerp’s life of letters might be “a very small thing,” but she also might be one of the most memorable characters you will ever read.

Two women haunted by their sisters’ unsolved disappearances band together in this captivating mystery from the #1 New York Times bestselling author of All Good People Here and host of the #1 true crime podcast Crime Junkie.

“Sharp, slick, and chilling, with a whiplash ending you’ll never see coming.”—Jeneva Rose, author of Home Is Where the Bodies Are

Nicole “Nic” Monroe is in a rut. At twenty-four, she lives alone in a dinky apartment in her hometown of Mishawaka, Indiana, she’s just gotten a DWI, and she works the same dead-end job she’s been working since high school, a job she only has because her boss is a family friend and feels sorry for her. Everyone has felt sorry for her for the last seven years—since the day her older sister, Kasey, vanished without a trace.

On the night Kasey went missing, her car was found over a hundred miles from home. The driver’s door was open and her purse was untouched in the seat next to it. The only real clue in her disappearance was Jules Connor, another young woman from the same area who disappeared in the same way, two weeks earlier. But with so little for the police to go on, both cases eventually went cold.

Nic wants nothing more than to move on from her sister’s disappearance and the state it’s left her in. But then one day, Jules’s sister, Jenna Connor, walks into Nic’s life and offers her something she hasn’t felt in a long time: hope. What follows is a gripping tale of two sisters who will do anything to find their missing halves, even if it means destroying everything they’ve ever known.

“Tender as a ballad and pleasurable as a pop song, Deep Cuts is both a romp into the indie sleaze era of the early aughts and a timeless love story.”—Coco Mellors, New York Times bestselling author of Blue Sisters
 
“Warm, nostalgic, totally engrossing. I loved this novel.”—Liz Moore, New York Times bestselling author of The God of the Woods

Look, the song whispered to me, that day in my living room. Life can be so big. 

It’s a Friday night in a campus bar in Berkeley, fall of 2000, and Percy Marks is pontificating about music again. Hall and Oates is on the jukebox, and Percy—who has no talent for music, just lots of opinions about it—can’t stop herself from overanalyzing the song, indulging what she knows to be her most annoying habit. But something is different tonight. The guy beside her at the bar, fellow student Joe Morrow, is a songwriter. And he could listen to Percy talk all night.

Joe asks Percy for feedback on one of his songs—and the results kick off a partnership that will span years, ignite new passions in them both, and crush their egos again and again. Is their collaboration worth its cost? Or is it holding Percy back from finding her own voice?

Moving from Brooklyn bars to San Francisco dance floors, Deep Cuts examines the nature of talent, obsession, belonging, and above all, our need to be heard.